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Abe Ajay
Abraham (Abe) Ajay (1919–1998) was an artist who was best known for his artistic contributions for New Masses magazine during the late 1930s and early 1940s.〔Langa, Helen. "'At Least Half the Pages Will Consist of Pictures': New Masses and Politicized Visual Art." American Periodicals: A Journal of History, Criticism, and Bibliography 21.1 (2011): 24-49〕 and also for his creative use of reliefs made of found objects during the 1960s and beyond.〔Cotter, Holland. "Abe Ajay, 78, Artist of Relief; Known for Boxlike Constructions." The New York Times. 14 Mar. 1998〕Abraham Ajay was born in Altoona, Pennsylvania in 1919〔 to Syrian immigrant parents.〔 Ajay grew up working at his father’s candy store and bar in Altoona until he graduated from high school.〔 From an early age, Ajay had a passion for art and sought to harness his artistic abilities when he made the decision to move to New York City〔 to study at the Art Students League of New York,〔Corris Michael. Ad Reinhardt. London: Reaktion, 2008.〕 and the American Artists School in Manhattan.〔
While studying in New York, Ajay became close friends with Ad Reinhardt,〔 the art director for the left-wing culture magazine New Masses,〔 who inspired him to begin working for the magazine.〔 Ajay’s contributions during the late 1930s and early 1940s to ''New Masses'' were significant. Along with Reinhardt, Ajay helped to shape the artistic direction of ''New Masses'' during a period where the magazine incurred financial hardships.〔 Ajay’s contributions of covers and cartoons helped to give ''New Masses'' a strong artistic presence despite the overall decline of the magazine during the period.〔 A lack of funding helped precipitate Ajay’s departure from ''New Masses'' and as the years went on, his support for Communism waned.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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